Tuesday, December 11, 2012

Fon Seks Candidate

Here is what I was thinking of entering into that show that Kate posted. I made this quite awhile ago. One of the few pieces I feel is "finished." I don't really feel like typing that much about it. That's been my problem recently btw. I'm either depressed, lazy, or both. Why don't I want to type? Have I forgotten what it's like to write papers? ACK! Typing...words....semantics....failing....must......express self.........differently......... .af..we... .a;ragojpj;g ..,b......

311B - that was the title of the original sext image sent to me

One thing I will type about it: This image is from a large collections of images I exchanged with my ex during a period of time when we we're not together - nor even sleeping together. These masturbatory digital exchanges were the last bit of intimacy I had with him before all communication between the two of us stopped. It raises a much different set of problems than Cliff's images do (although they are obviously related in other ways.) The biggest one being permission. How the hell do I go to him and say.... hey... remember that pic of your giant hard dick you sent me? Can I use it for Art?

Tuesday, December 4, 2012

Something Recent

After seeing what Kate posted today, I felt the need to post this.


Monday, November 5, 2012

New work. Not to be confused with New York.

This is some brand new work.  I've been asking friends of mine to compose and send me sext photos of themselves.  So far it's been only people I know as I've been really interested in the awkwardness of the interaction when I solicit them for the pictures and how insecure I am about being perceived as slimy and creepy or feeling like I'm asking someone to do something that makes them uncomfortable.  Which I am asking, but then I feel strange about it.  Like a director who pressures an actress to do a nude scene that she later regrets.  I feel less weird about soliciting guys for them because well, I am a guy I guess and I don't feel bad about exploiting them maybe.  Maybe that's bullshit.  But I'm interested in the process of getting them.  But I'm also interested in sexts that people have sent as well as received in real-life scenarios as well as found images from the web which I know nothing about, but for now, these images are only the ones that were composed for me in the name of this project.

I'm interested in so many aspects of the sext message photo, but I think primarily these pictures are a study in courtship through digital medium and the tension between intimacy and distance that the digital medium of text messaging provides, in sext photos as equivalent to facefook "profile pictures" in the sense that they are images that attempt to succinctly define us in one idealized photo or twitter message that define us in one or two sentences and encourages snap judgments and vice versa.  Our expectation that we'll be quickly judged and so our photos are modeled to a template that will grab readers with the first sentence.  Mostly, I think I'm interested in how self-conscious and insecure these images are.  They're profile pictures to the nth.  Sext messages are used to, hopefully, sexually arouse the recipient and there is a desperation, a kind of poignancy to them.  The male-to-female images are much different than the male-to-male images are much different than the female-to-male images and so on and so forth.  I'm interested in how they are miscommunicated.  Where they succeed and where they fail.  I'm just kind of ranting now.  But I think most of my work tends to be about a sort of ubiquitous misunderstanding.  Or fear of perennial miscommunication and insecurity.  Blah blah blah tell me what you think.  They're organized in the order that I received them, not in any other way, though it is kind of interesting that they go from really safe to more exposed.

The images are really large, well, 24 x 32 or so, so if you can, save and open them and zoom in on them to see the image quality degradation.  I'm not sure if you can do that here though.  Can you?  I'm sure I can upload them another way if you want or something.  I don't know.  I thought that enlarging them to this scale and revealing the bad quality of the images played with our idea of enlarging photos expecting to get more content or information, which we of course don't get when the quality is this poor.  It's maybe similar to the kind of closeness and distance provided by sexts.  In a way very distant and comfortable maybe and also still exposing and revealing in its easily wielded distribution and/or reproduction.   Oh, and thanks, Hunter for the .gif tip.  That and a few other things did pretty much exactly what I was hoping to do.








Just had an idea, not sure if it's interesting or not, but it might be interesting if I set it up somehow so that if someone were to choose to look at the images, the images would be forwarded to a random e-mail address or uploaded to a new site on the web or something.  Or even just telling potential viewers that them looking at the pictures would result in their distribution.  Would that stop them?  I'm totally just thinking as I type.

Oh, also if you want to participate or know anyone who would for some reason, let me know or just tell them to text me or something.  I definitely have a shortage on dudes at the moment.  Initially, it was quite the opposite and then all the guys bailed.

Wednesday, October 31, 2012

you guys seen this?

upper class white dude makes beautiful images using google maps of poor black people:

http://www.dougrickard.com/photographs/a-new-american-picture/

thoughts?

Thursday, October 4, 2012

Disneyland

So Kate and I started an odd conversation about disneyland. It started as a conversation about the pervasiveness of Disney and other western brands into all crevasses of the world. However, this reminded me of my deep, strange, complex relationship with disney and specifically disneyland. We all remember Zuromskis lecture on disneyland and it's relationship to the simulacrum and postmodernism blahblahblahblahblahblabhalekr;jw. I have an extremely real and great relationship with disneyland. Some of my only perfect, sincere, happy memories of childhood are because of disneyland. It's hard to balance and justify these sublime memories with the bitter cognizance of adulthood. One way I've tried to do that is by going back and viewing the only "objective" forms of these memories: video. (yes I get this is philosophically problematic in so many ways blah blah sontag blah blah plato blah blah shadows on a cave wall) ANYWAYS I thought that video would be an interesting way of capturing the dilemma of sublimity of childhood vs the cognizance of adulthood. maybe?

Anyways here are some pictures.

I've never thought of these as relevant to the work I'm currently making, but as shards of something that might surface later.

The first are still images of VHS home videos paused. They are all from the same trip to disneyland, I believe I was in 4th grade? The last few images are screen capture from youtube videos of people filming the ride they're on. (there are tons of these)

Disneyland Hotel

Self Portrait on the Jungle Boat Cruise

In line for Indiana Jones 
In line for Indiana Jones

The Matterhorn

Splash Mountain

Space Mountain (with lights on)

Space Mountain (with lights on)

And. . . .

I want to see more pictures . . . .  on this blog. . . .  please. . . . .    It is lonely out here.  

Show titles/theme


George (and everyone),  I just noticed the David Foster Wallace quote you posted on your blog.   A good one.   I assume it is a passage that is resonating with you now.   Tourism and how much having a camera in your hand links you to tourism is something I find myself resenting recently. . .  and that devolves into a complete confusion about what it is that I am doing here, photographing, with my life, et cetera.   Is there a theme for a show somewhere in there?   "It is to spoil, by way of sheer ontology, the very unspoiledness you are there to experience."  Can that part speak to photography generally?   Or is it too specific to traveling?   Thoughts?    

Thursday, September 27, 2012

speaking of vhs . . .

I came across these two Australian artists Claire Healy and Sean Cordeiro, who make collaborative work.




This Piece is called 'Life Span' 
Offsite Australian submission for the 53rd Venice Biennale
Installation view, 2009. 175, 218 VHS video cassettes are arranged to form a solid block in the deconsecrated chapel of a former nunnery. The combined running time of these cassettes, if played consecutively, would be 60.1 years, the average human life span in 1976 – the year that the VHS was released.






'Par Avion'
Installation view, 2011, Cessna 172, deconstructed and airmailed from Roma to San Francisco. 







'Drunken Clarity'
Installation view, 2011, broken beer bottles, putty, 24 carat gold, gum arabic.




Just something interesting that made me think of that project Sean once almost start


http://www.100abandonedhouses.com/

Wednesday, September 26, 2012

Personal Update

UGH.
Hi Guys, It's me Hunter. I have not died. I have had a stressful couple of weeks and haven't been very good at updating/commenting the blog. The two main shitty things in my life right now are 1. My computer is the biggest piece of shit ever. I really need to take it into the magical apple store and have them do their apple magicks on it. 2. I'm moving this weekend and have been stressed packing and figuring out how the fuck you move shit in a city.

First thing's first. Here's a picture of Cliff:  (after all it is a picture blog)


He's been hard at work on a show that opens next week?! (cliff! we want pictures and details!) Anyways, my friend Veve is in the class with him and sent me this the other day and said "Cliff and I buying 49 VHS tapes."

Second thing's second. I wanted to update you all on my living situation. I will be moving into a gigantic "art-fuck factory" style loft in the west loop. Here: http://goo.gl/maps/nAj5e

This was a risky un-hunter like choice. I don't know any of the people that live there, and have no idea how it will turn out. The space is a huge factory style loft with a gigantic work space, gallery space, and 7 oddly shaped bedrooms. The main roommate who "runs" the space invited me to move into the space in hopes of turning the space into more of a working artistic community. Currently the space is full of interesting people that aren't using the space for what he thinks it should be used for. Many of them are moving out in the next couple of months and he's trying to fill the space with serious working artists that will make use of the gallery and work space. (eh? cliff? george? wanna move to chicago?)

If we want to go the "art-fuck factory" route for our show we could potentially do it in this space I'm moving into. I think it might be more beneficial to go with a space that already has a bit of a following, but that is something we can talk about down the road.

So. I will take pictures of the space and let you all know how it goes. The main two advantages of moving into this space are space to work, and money saved on rent. The first thing I'm going to buy is a printer. (does anyone have any printer suggestions? maybe that should be an entire separate topic of discussion?) I plan to start working much more regularly starting next month. I promise I will be posting more frequently and will have work to show.

Spaces in Chicago

A friend in Chicago recommended these spaces as a starting point to look into.'Hunter, I have a feeling you probably have been to them all. Anything promising or worth Persuing? Whats your gut tell you? Her hunch was that Happy Dog and Roxanoxen might be a bit on the, to put it in her words, "art-fuck factory" for our purposes.
Also I found out
That I will definitely be in Chicago for ten days or so in december and I am happy to devote time to looking into spaces--if Chicago is still a place we want to seriously look into.


http://lvl3gallery.com/

Plaines project -- http://plainesproject.wordpress.com/

Roxaboxen --
http://roxaboxenexhibitions.blogspot.com.br/?m=1

Happy dog --
http://happydoggallery.tumblr.com/

Wednesday, September 19, 2012

from the archive. . . .


I spent the last couple of days in the photography archive in Noumea, New Caledonia.   I came across this amateur photographer named Nicolas Ratzel (self portrait above).   They are autochromes.  Unfortunately the individual works are not dated, but the collection as a whole is dated 1920-1940.  I (of course) was struck by the flower still lives and interiors, but the portrait of the two women is also interesting (that is not the right word).

Notre salon, Baie de l’Orphelinat, commune de Nouméa.
Bégonias et chrysanthèmes.

Vase orange et fleurs.
Maman et Popée.

Thursday, September 13, 2012

World Map



Some pictures from today.


And another from yesterday to perpetuate that conversation about weird iterations of Disney.

Monday, September 10, 2012

Group Picture Sketch 01

I was thinking about George's comment wondering how our work would look like together after not working in close contact for a couple of years now. I finished up all of my work-work early today, so I put together a super quick html "sketch." It's super simple code, and I just threw a bunch of our images together to see how they looked liked right up against each other in an isolated virtual environment. I just used mine, Kate's, and George's work because it was the only work I had easy online access too. I used images from this blog, my site, kate's island blog, and george's travel blog. I wanted to use some of Adrienne's work as well, but her site is all flash, so I couldn't easily grab the image files.

http://0hunter.com/picture-sketch/default.html

I decided I would just quickly put ten images together (most are diptychs, so closer to 20.) I tried not to put anyone's work next to another piece of their's, in order to break up the space more randomly to see how the work flows together.

Any thoughts on this technique? I thought it was a quick and interesting way to see the work together and get the gears turning. I tried to make my decisions as intuitive as possible. I didn't think too long about the pairings to try keep them half "random" and half intuitive.

Also, moving on to Kate's idea of actual collaboration over just a group show of our separate work. (I prefer something in between - but I'm a maximalist and think that the best solution to anything is just to do everything.) Would anyone be interested in trying out a quick exquisite corpse type thing on here? I'm open to any ideas. It could be as simple as starting with a photograph and passing it along, or giving a non edited photograph to someone else for them to process. Something simple, low pressure, not time consuming. Just to get the ball rolling.

Thursday, September 6, 2012

Meta Show

I thought I would go ahead and bring up the first idea for a show that I have been playing around with. I'm not attached to the idea at all - it's more of a thought exercise than anything, so feel free to add comments/rip it apart. If this is too Charlie Kaufman-esque please tell me - but what would a collaborative art show look like if it was an art show about making art.

This seems trite and simple at first, but when fleshed out would actually be conceptually endless. I'm not talking about just printing the posts from this blog and framing them, or making videos of us making art, or showing step A, B, and C of our pieces. I'm talking about really exploring and deconstructing the process conceptually and trying to see how that would manifest visually. I mean the meta shit has been around for hundreds of years - mostly in plays and movies I suppose. The first example that comes to my mind is Synecdoche, New York. It ranges from Midsummers Night Dream and through to more mainstream examples like 30 Rock. I'm sure there are a million better examples. In those examples it's explicitly clear that it is a "show" about a "show" or a "play" within a "play." I'm just wondering if there is a more abstract (yuck word) or conceptual way of exploring this same idea.

I may be bringing up a nearly impossible idea, but I think it's worth talking about at least. Especially if we are a group of artists trying to get together to make some sort of something. Maybe making it means more than the actual product. Could making it and the made be the same?

I'm sure there are many examples of this concept in the A(capital a)rt canon - I'm sure the rest of you could point out better examples, but I thought I would start the conversation.


Wednesday, September 5, 2012

Trying to make "real" "pictures"

I recently stole DePaul's Canon 5D. Whenever I have to use the internet communications department's 5D to take photographs for the website, I usually work it out so I can take it home for the night. Here are a couple shots from a recent shoot with the 5D. I've been experimenting with making Ikebana inspired flower arrangements with dead/dying flowers. I also forced my boyfriend to let me photograph him - which he was not a fan of. I have a lot of "disclaimers" with these, but I figured I would just post them. Oh one disclaimer. I have much higher-res nondestructive .cr2 .psd versions of these, but I used photoshop CS1 to resize them, which doesn't have the ability to edit camera raw files. The color/quality is not what I want - but it's close enough for the blog. I've had more desire to make "real" "pictures" recently. I don't think any of you saw work like this from me in any of our critiques.




Hunter - I am adding to your post - cause I think this picture is germane to the conversation.   Sorry.

I have been calling it 'Hermit' because I think it sort of looks like a hermit crab.   But I was also trying to speak to an isolation similar to 'the little prince' (did you all grow up reading that book?) or a desert island.  


This may also be related - I have thought about this one less - there is no title.

Friday, August 31, 2012

Bloggin' it up

Sorry if this is... obvious. BUT. I think this blog is working out pretty well. For now it seems to be a good place to just post anything and everything. I've just been commenting with my immediate thoughts. If any of you need a specific kind of feedback - just ask. I work a 9 - 5 job at a university which means I have LOTS of downtime, so I understand that I will probably be posting on this more than anyone else. (you guys have lives, I get it, I'm not jealous or anything - actually I probably am.) I will probably start using this as a place to think through some ideas out loud. Forgive me in advance for what will surely be long rants that will hopefully make SOME sense.




Here's a picture I made. It's Matthew Barney in his flooded studio on a boat. I put that spherical emoticon over his head. It's about how he's unsure how he feels about being on the boat.

Wednesday, August 29, 2012